It’s been a while since I updated, and blogs tend to fail when they don’t get updated. There’s not a lot of news to report related to my writing, but I have switched focus again back to The Beast of Rose Valley.

I have a good start on The Great Republic, and I will get back to it, but after getting another beta reader on The Beast of Rose Valley and then also based on some of the results of my querying, I’ve decided (and been advised) that it’s a solid book with a slow start. Given that it’s horror/thriller, that just won’t do.

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With The Beast of Rose Valley ready for an agent, I find myself with time on my hands, as I anxiously await responses. So far, I’ve sent out 21 query letters, and received only 3 rejections. Time will tell how the other 18 react. I’ve got a list of about 30 more that I will send query letters to eventually, but in the meantime…

I’ve begun work on my second novel! I’m very excited about the premise, and I think it will be a lot of fun when it’s all done. I’m still in the early stages, but here’s the [very early] blurb for The Great Republic.

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When the central evil of your book is a a creature of unknown origins, it becomes difficult to create emotional drama. It’s easy enough to create action and physical drama with a monster, but it’s doesn’t make sense for the beast to start having philosophical discussions with the characters.

Enter Sheriff Cam Donner. He’s the sheriff of Rose Valley, and he’s not too keen on inviting trouble on his watch. When a lamb gets ripped in half, he’d rather attribute the attack to coyotes just to keep the peace. It’s hard to confront a fearsome creature when the town’s chief protector isn’t onboard.

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For me, at least, writing the book was the easy part! Editing it is proving to be much harder. I don’t have a ton of typos, and I think my grammar is mostly pretty good, but I’m also exceptionally biased and blind to a lot of things at this point.

The wife is giving the book a once over to offer suggestions with pacing and plot. She’s especially keen at latching on to things that don’t make sense, or take her out of the story. That sort of feedback is immensely helpful.

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This weekend, I hit the largest wall that I’ve encountered while writing my novel, The Beast of Rose Valley. The plot had culminated in a single scene that just didn’t make sense the way I had it planned. There was no escaping it. I had written myself into a corner.

If I wrote what I had intended, readers would have surely thrown up their hands in disgust. It would have made no sense. It would have been illogical. It wouldn’t have been in keeping with the actions of one of the primary characters. All of the goodwill I might have garnered with my readers may well have been lost in a single chapter.

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My first novel, The Beast of Rose Valley, has a lot of autobiographical elements. Not directly, of course. But my experiences in life all lend themselves to every character and situation.

Some of it comes from pop culture. The cantankerous small town sheriff. The questionable ethics of a shady organization. The spitfire journalist. These are all common tropes that are easy to pull from when I need the bird’s eye view of my novel.

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